Phonetic Semantic Effects in Abu Tayeb Motanabbi’ poetries (fatek)

Abstract

Abstract

TThe musical performance of the voices in works of art such as poetry and prose helps the creator of the work to succeed in inducing its intended meaning. In fact, the more successful the audio service is, the greater the artistic excellence. Western scholars such as German scholars, Arabs, and Indians abducted European scholars in phonetic studies, claiming that the sounds contained certain semantic formulas of text along with visualization, given the particular variables in their intensity and softness. It gives the audience a sense of the personality of the poet. This research aims to study the most important phonetic-semantic formulas in Abu Fatib al-Matibi's Fateki poem by analytical-descriptive method. By examining this poem, we come to realize that the poet uses words that are associated with a certain degree of intensity and fluency in the word, and employs sensory words that imply sensory meaning, as well as similar words that all A semantic realm is somehow implicitly demanding that Fatek's worms and worms and their innermost beings be embodied. The poet seeks to convey to the audience the use of fluent characters such as Lam, Mim, Rahe and Nun, which are among the most obvious Arabic letters.