Journal Articles

 

  • Ghiasian, M.R. (2013). “A Comparative Study between Illumination of the Uljaytu’s Qur’ans and Ilkhanid Architectural Decoration.” Semi Annual of Islamic Art Studies, No. 18: 117-130.
  • Ghiasian, M.R. (2015). “The ‘Historical Style’ of Painting for Shahrukh and Its Revival in the Dispersed Manuscript of Majmaʿ al-Tawarikh.” Iranian Studies 48, no. 6: 871-903.
  • Ghiasian, M.R. (2018). “The Topkapı Manuscript of the Jamiʿ al-Tawarikh (Hazine 1654) from Rashidiya to the Ottoman Court: A Preliminary Analysis,” Iranian Studies 51, no. 3: 399-425.
  • Ghiasian, M.R. (2018). “An Illustrated Manuscript by Rashid al-Din and Hafiz-i Abru in the Topkapı Palace Library (Hazine 1653).” Ayene-ye Miras 60: 27-48.
  • Ghiasian, M.R. (2019). “Images of the Peoples of the World Encountered by the Mongols in the Jamiʿ al-Tawarikh,” Iran: Journal of the British Institute of Persian Studies, 57: 1-12.
  • Ghiasian, M.R. (2020). “A Study on Forgeries of Persian Manuscripts with an Emphasis on Illustrated Codices.” Ayene-ye Miras 66: 9-42.
  • Ghiasian, M.R. and M. Afshari (2020). “Representation of Theater and Popular Entertainment in Safavid Miniatures.” Theoretical Principles of Visual Arts 9: 53-67.
  • Mashhadi, M. and M.R. Ghiasian (2020). “The Lusterware Produced in Kashan at the End of the 15th Century and in the First Half of the 16th Century,” Historical Science Studies 23: 107-132.
  • Ghiasian, M.R. (2021). “Manipulation of Modern Dealers of Oriental Arts in the Dispersed Manuscript of the Majmaʿ al-Tawarikh.” Honarhaye Ziba 25, no. 3: 125-134.  
  • Ghiasian, M.R. (2021). “The Evolution of the Images of ʿUj ibn ʿAnaq in Persian Painting (13th-16th Centuries).” Journal of Visual and Applied Arts 31.
  • Ghiasian, M.R. and I. Sturkenboom (2021). “A Royal Manuscript scribed for Iskandar ibn ʿUmar Shaykh: An Anthology Housed in the Calouste Gulbenkian Museum, Istanbul University Library, and the Wellcome Institute for the History of Medicine,” Ayene-ye Miras 67: 55-90.
  • Ghiasian, M.R. (2021). “A Comparative Study between the Texts and Images of Abu Bakr and Imam ‘Ali in the Ilkhanid and Timurid Copies of the Jamiʿ al-Tawarikh,” Motaleate-e Tatbighi-e Honar 20: 1-14.
  • Ghiasian, M.R. and N. Asadi (2021). “Muhammad Tahir Naqqash Kashani: The Multi-Skilled Poet of the Safavid Era,” Studies on Kashan 25: 3-30.
  • Ghiasian M.R. (2021). An Introduction to the Identification of Kashan Chintz Production Based on a Newly Found Document. Pazhuhesh-e Honar 20: 13-28.
  • Ghiasian, M.R. and M. Mashhadi (2021). “Nūshābād’s Zīlū: The Earliest Known Carpet from Islamic Persia,” The Journal of Islamic History and Civilisation 34: 109-135.
  • Mashhadi, M. and M.R. Ghiasian (2021). “The Writing of Dreams on Lustre Tiles in Two Qadamgāhs in Kashan from the Ilkhanid and Safavid Periods,” Culture and Folk Literature 37: 101-131.
  • Ghiasian, M.R. and H. Ghorbanpoor (2021). “The Prevalence of Illustrating Nauʿi Khabushani’s “Burning and Melting” in the Safavid Period: With an Emphasis on the Walters Manuscript,” Negarineh Islamic Art 21: 68-80.
  • Mashhadi, M. and M.R. Ghiasian (2021). “Two Extremist and Moderate Religious Approaches on Two Safavid Tiles of the Jami‘ Mosque of Kuhpayeh,” Studies on Kashan.
  • Ghiasian, M.R. (2021). “The Evolution of the Portraiture of the Prophets in Persian Painting with an Emphasis to the Halo of Holiness (ca. 1250-1450),” Journal of Visual and Applied Arts 33.
  • Ghiasian, M.R. and M. Mashhadi (2021). “An Analysis of the Types and Functions of the Three Clocks of the 'Imadi Complex of Kashan during the Timurid and Safavid Periods,” Rahpuyeh Honar-haye Sena'i 4: 95-108.
  • Ghiasian, M.R. and F. Davoudi (2021). “The Interpretations of Medieval Persian Ceramics by the Traditionalists and Historians,” Motaleat-e Tatbighi-e Honar 21: 55-69.
  • Ghiasian, M.R. (2022). “Ceramic Beehive Covers: An Unknown Treasure from the Folk Arts of Tabriz,” Culture and Folk Literature 42: 109-146.
  • Ghiasian, M.R. (2022). “The Migration of Persian Manuscripts to the Ottoman Court in the Safavid Period,” Ayene-ye Miras 69: 63-93.
  • Ghiasian, M.R. (2022). “Cuerda Seca Tomb Tiles in the Shrines of Sultan ‘Ata-bakhsh and Sultan Amir Ahmad in Kashan (16th-18th Centuries AH),” Journal of Iranian Architecture Studies 20: 5-26.
  • Ghiasian, M.R. and Mitra Rezaee (2022). “The Pathology of the Phenomenon of 'Ruykard' (Approach) in Iran's Art Studies: A Case Study of Intertextuality in Islamic Art,” Ayene-ye Miras 72: 91-107.
  • Mashhadi, M. and M.R. Ghiasian (2022). “The Ilkhanid Wooden Door of the Masjid-i Ali in Quhrud: Analysis of the Inscriptions, the Qadamgahi Nature of the Mosque, Introducing the Patron and Identifying the Artist,” Athar 3: 466-482.
  • Ghiasian, M.R. (2023). “The Role of the German Researchers in the Formation of Islamic Art Studies,” Pazhuhesh-e Honar 12: 83-98.
  • Ghiasian, M.R. (2023). “The Evolution of the Images of Solomon in Persian Painting (13th-16th Centuries),” Journal of Visual and Applied Arts 40.
  • Ghiasian, M.R. and M. Mashhadi (2023). “Ilkhanid Wood Carvings in the Mountain Villages between Kashan and Natanz.” Iranian Studies 56 (255-275).
  • Ghiasian, Mohamad Reza. “Jamiʿ al-tawarikh: Illustrated Manuscripts.” In Encyclopedia of Persian Art. Tehran: The Center for the Great Islamic Encyclopedia, (Forthcoming).
  • Ghiasian, Mohamad Reza. “Stippling (pardāz): A Technique in Persian Painting.” In Encyclopedia of Persian Art. Tehran: The Center for the Great Islamic Encyclopedia, (Forthcoming).
  • Ghiasian, Mohamad Reza. “Nudity in Persian Art.” In Encyclopedia of Persian Art. Tehran: The Center for the Great Islamic Encyclopedia, (Forthcoming).
  • Ghiasian, Mohamad Reza. “Representation of Human Figure in Persian Art.” In Encyclopedia of Persian Art. Tehran: The Center for the Great Islamic Encyclopedia, (Forthcoming).