The Study of “Desire” and “Becoming‌ Woman” in Yerma Through Deleuze and Guattari's Views

Abstract

This article focuses on the notion of “desire” in Yerma (1934), by Federico Garcia Lorca, the famous Spanish writer and dramatist. Yerma is one of the dramas in Lorca’s ‘rural trilogy’. Adopting the perspective of left thinkers and using Gilles Deleuze and Fleix Guattari’s views on psychoanalysis, the writer discusses how the notion of “desire” through a Deleuzian air is not associated with loss but power and can, thus, end up in change and “becoming.” This study has deployed a descriptive-analytic method to the text, and it has focused on the notions of ‘paranoid desire,’ ‘schizoid desire’ and ‘becoming woman.’ It is argued that Yerma, as a prototype of minority figures, is subjected to those strategies of ‘otherization’ which she cannot help tolerating due to an internalization of the family and social discourses of norms and stereotypes, which is still true to the lives of many women even these days. Yerma finds no way out of such stagnant life scripts but through a sudden outrageous rebellion against the system (and its representative— Juan). Such rebellion questions the dominant paranoid control of every hierarchical system in society. These challenges pursue a type of “deterritorialization” of such systems and their metanarratives by opening new horizons which introduce new kind of relationships and orders which are far different from the mainstream culture and, thus, challenging, unsettling, and dangerous. They are new voices that can be heard